The main title and credits sequence adopts a stark black and white language rooted in classic noir, filtered through a contemporary urban lens. Bold, condensed typography rises from deep, textured blacks, carrying the weight of painted street signage or stamped ink on concrete. Distressed grain, subtle flicker, and tactile surface noise evoke aged film stock and weathered city materials, grounding the frames in a raw, physical atmosphere. The compositions remain restrained and deliberate, using negative space and shadow to build tension, while the scale and density of the type convey authority and unease.